So this is where it was all headed. After a few years of seeming indifference toward pushing his music forward, Lennon sought fetal-position safety in the late ’50s with Rock ’n’ Roll, an album of teenage-funtime covers. He at least does a fine job on these songs, though, with “Stand By Me” – featuring some of his best singing – a worthy choice as single. Also, the cast of thousands on these sessions gives the songs a full-bodied bad-assedness that largely distracts one from the fact that this record is a lazy vanity project originally inspired by a scummy publishing lawsuit. But so it goes. The B-side, “Move Over Ms. L.,” is a blaring Lennon original that fits in well with the rootsy rock he’d receded back into.