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(Nuf Sed, 1992)The Easy Goings are back for their second and last single, and they’re feelin’ especially cover-y this time around, bringing their beautiful magic to songs by the Beach Boys, Springsteen, and Black Flag. Much more in line with the obnoxious EZ-listening terror of the breakaway Zip Code Rapists than the comparatively tame first single, this record offers fans a smooth torch-passing to that group and its vicious dismantling of “hits” both real and alternate-universe. The demented cheerfulness of musical pep-talk “Life is For the Living” (“Don’t sit around on your ass / Smokin’ grass”) actually keeps quite close to Brian Wilson’s unreleased version, though the addition of John Singer’s noise-guitar and Turkington’s phlegmy bark puncture the unsettling bubble-world naivete of Wilson’s original with their self-consciousness. Still, it’s a typically inspired choice for a cover, and the band even went to the trouble of putting together a video to help this keyboardcheez-driven song on its way to the top of the charts; sure nuff, pairing the music with forehead LP-smashing and glass-cleaner consumption earns the vid the gold medal for Ultimate Easy Goings Thingy. And itself NO SLOUCH is “Born in the USA” (split over both sides of the single), here retaining its signature keyboard line while being otherwise destroyed by Turkington’s increasingly choked gargle/scream, which eventually degenerates into a subhuman bleating of “BORN!” “BORN!” “BORN!” over and over; a nearly perfect cover. Rollins gets it worst, though, as a pressed-at-the-wrong-speed “Scream” turns him into the bawling, pre-adolescent whiner you mighta suspected he was all along. “Boo-hoo” cries the band as the song fades, and “boo-hoo” cries the listener as the record ends. Even more than the previous Easy Goings disc, it’s a hop-to-it gotta-get.
(Bee-Fast, 1989)Released by the Breakfast Without Meat folks, and performed by Gregg Turkington and John Singer of the Zip Code Rapists accompanied by Gary Strasburg and Stephen Hanson, the first Easy Goings single is a natural musical outgrowth of that magazine and its various obsessions: two bizarre/obscure genre-tribute cover songs, artwork that nods to cigarette ads and Solo plastic-cup queen Dora Hall, and a general air of mind-bending in-jokiness that hangs around the sonic weirdness. Much more “musical” than the work of ZCR, the band delivers its lewd charms via a half-hokey, half-creepy sound best heard on “Most of All There’s You,” with its wheezing carnival keyboard and Turkington’s insect-like croon. It’s sentimental sap done in a nightmarishly psychedelic fashion, but still catchy as all heck – a repulsive triumph. “The Straight Life” and “Hoboes Need Lovin’” (an original) take a rootsier, more stripped-down approach, the latter being the disc’s closest stab at an outright joke; it even features a Neil Hamburger-esque apology for poor sound quality at its end. This single is a tough one to find, but it’s a pretty vital precursor/companion to the Amarillo catalog that makes for some fun listenin’.Historical notes for the nerdy: According to an ad in Breakfast Without Meat issue 14, this was a record the band was “trying to sell in order to raise enough money to build a 40 feet high, 20 tons of steel monument to the human thumb.” Or howzabout this description, from an ad in issue 13? “Wildness at its way-out-est, to the pitch of furious frenzy – the height, apex, acme, epitome – the living END!!! That is The Easy Goings. Singing and playing the young sounds of today. Wind up the Gramaphone, turn the horn towards the action and let’s dance, let’s listen…it’s the sound you asked for! This rocking group, with all its many knobs, buttons, and doo-dads, looks and sounds like it might launch a rocket. The sounds of ‘freakout’ heard on this record are sure to please the most discerning palate.” Sounds about right.