Animal Collective - Polly / Purple Bottle

(white label, 2006)

Legal whatsis woulda kept these songs off any “official” Animal Collective record, so AC pulls a fast one and sneaks ‘em out on a white-label 45. The cover of “Polly” is done in a spooky, shuddering, acoustic style, though the ridiculous vocals make it feel like a goof. Not worth puzzling over that too much, cuz the real prize is on the other side: Great clattering percussion on the crazed, all-over-the-place “Purple Bottle,” and the bonus Stevie Wonder rip (“I just called to say…”) in the middle is a nice touch before we get into the whoop-n-holler end-section. Song’s a bizarro rush, tapping into the same teetering weirdness that Barrett nailed on “Vegetable Man” and “Scream Thy Last Scream.” But happier, almost to the point of being manic.

Limited to 500, supposedly, and long gone. Sorry bub.

Animal Collective - Who Could Win a Rabbit

(FatCat, 2004)

I was working for Bubblecore Records – FatCat’s American distributor at the time – the summer this came out, so I have many sweaty memories of days spent filling order after order for “Who Could Win a Rabbit.” The song itself isn’t among the band’s strongest moments (but my ARMS sure were strong after lifting all them boxes of vinyl! WHEE!). It’s a sunny, ecstatic gallop that signaled a move toward a slightly more pop-focused Animal Collective, and it features one of the group’s standard psychotic-preschool-singalong melodies, but it’s too short to really take hold in the mind and ear. There is an entertaining video for the single, and the visual element actually adds quite a bit to the track. “Baby Day,” meanwhile, is a surprisingly convincing mid-/late-’70s Brian Wilson impression. Layered Beach Boy-style vocals and the lyric “She’s gonna have a baby” repeated over and over atop a sparse electronic rhythm and minimal synth, it’s just the sort of charming toss-off that crazytown Brian would have stuck onto the likes of The Beach Boys Love You.