Mysteries abound on a Sunday night. Like, why did I buy and chew a boneless spare-rib combo from China One? I should have known it would only make me feel ill. And why did some kid of yesteryear write “LOVE IS LOVE – BARRY RYAN” on the back sleeve of my “Supersonic Rocket Ship” single? That ditty by Mr. Ryan alarms me to no end, and I’m not sure why anyone felt compelled to scribble its name on a Kinks 45 in 1972. The biggest mystery of all, however, is why in heck I really, truly LIKE “Supersonic Rocket Ship” when it’s essentially a rewrite of “Apeman,” a song I’m famous the world over for loathing. Escapism, tropical feel, Fey-Ray Davies – it’s all here. Still, as with much of the ultra-silly Everybody’s in Showbiz album, there’s a lazy-yet-punchy feel to the track – dig them horns and kettle drums! – that makes it hard to resist its goofy grooviness. A nifty single, a nifty songle. I woulda maybe preferred to have it paired with the incredible “Sitting in My Hotel,” perhaps the best, most honest song Ray Davies wrote in the ’70s, but hey, instead the B-side is “You Don’t Even Know My Name,” a slide-guitar shitkicker from Dave. Thing would’ve fit better on Muswell Hillbillies or Lola, and yet here it is! Funny how this world works sometimes. Really, though, tune’s fine and so’s life; I bear both but little ill will.