(Blackbean & Placenta, 1996)
Split into “Fender” and “Moog” sides – each a hypnotic, one-man exploration of said instrument – this is definitely one of the lesser Azusa Plane releases. “Moog” is mildly interesting in that it’s a semi-departure from DiEmilio’s guitar-based norm, but it and “Fender” (itself actually quite pretty, if shapeless) both sound like they are nothing more than excerpts cut from long, aimless bedroom blissout sessions. While the Azusa Plane typically made interesting and appealing work out of minimal sonic material, wringing a lot out of a little, it just didn’t come together this time. I, however, improvised an attractive curtain for my bathroom window this afternoon, using some suction hooks, a plastic rod, a small red towel, two clothespins, and some double-sided tape. A+ for me.