The A-side is synth bleeps and bloops over a buzzing drone; strictly bassy, low-end stuff that never really goes anywhere and falls, uncharacteristically, squarely into the ‘wank’ category. More – and better – subwoofer madness on the B, a pulsing, underwater thrum that is low enough to play havoc with the ears. New sounds are introduced gradually, and when the gentle layer of white noise finally appears it almost feels sunny compared to that relentless subterranean rumble. The whole play-it-loud earfuck is absolute aural disorientation, and almost – almost! – enough to redeem the entire record.
Look, I feel like a heel poo-pooing two straight Azusa Plane singles, cuz I really do like the band. But heck, when the title runs laps around the A-side, it’s hard not to get all outta joint. Especially when the disc in question happens to be a pricey Japanese import. Just skip this one and check out these twin discographical pinnacles: the glorious hum of Tycho-Magnetic Anomaly and the Full Consciousness of Hidden Harmony and the live (with drums and vocals!) Result Dies With the Worker. DO IT!