Unlike the early-’90s Britishisms of the band’s first single, the snaky guitars and rhythms of “Convertible” hint at an Eastern influence, something that was to become far more prominent on later records as Newcombe refined his technique and expanded his arsenal of instruments. Here, however, we have mid-’90s Brian Jonestown Massacre in embryonic form, releasing what sounds like a rough run-through for a demo, its fine vocal unfortunately buried. The song is similar in feel to the Acid 45 that was included in the same 6x7” set (“The Tangible Box”), and, as with that single, “Convertible” opens with a silent lockgroove cut into the vinyl. On the other side, “Their Satanic Majesties 2nd Request (Enrique’s Dream)” is a druggy guitar-effects collage with samples of a hellfire preacher laid atop it. Entertaining to hear once, but it’s mostly of interest for lending its title to a BJM album three years down the road.
Bomp used to sell “Convertible” both individually and as part of the complete set, and around 2002 or 2003, as stock dwindled, they were hawking copies signed by Anton Newcombe.