Flying Saucer Attack is one of my favorites, and the group certainly oughta sit near the top of any nerd-boy’s list of the great neglected psychedelic bands of the 1990s. It’s all about super-saturated guitar fuzz – which Dave Pearce pulls off in a quite pretty fashion, with surprisingly delicate melodies that are encased in layers of billowy (and sometimes harsh) effects/feedback. Pearce is also capable of standard psych-guitar heroics, as at the end of “Soaring High,” where he tears things up Bevis Frond-style while helping his cause with some aggressive stereo panning. These two early tracks push melody to the fore while maintaining noise-freak legitimacy, mixing Pearce’s folk and feedback inclinations more fully than much of the FSA work that soon followed. Those records tend to go for either gentler, voice- and acoustic-based space-balladry or neglect the prominent rhythm section heard here (check out the lumbering bass on “Standing Stone”) for high-volume, ambient distorto-float. The handy, world-ruling Distance CD compiles this and other early singles for those who can’t be bothered to hunt down the band’s many limited 7” releases.
Monday, January 12, 2009
Flying Saucer Attack - Soaring High
Flying Saucer Attack is one of my favorites, and the group certainly oughta sit near the top of any nerd-boy’s list of the great neglected psychedelic bands of the 1990s. It’s all about super-saturated guitar fuzz – which Dave Pearce pulls off in a quite pretty fashion, with surprisingly delicate melodies that are encased in layers of billowy (and sometimes harsh) effects/feedback. Pearce is also capable of standard psych-guitar heroics, as at the end of “Soaring High,” where he tears things up Bevis Frond-style while helping his cause with some aggressive stereo panning. These two early tracks push melody to the fore while maintaining noise-freak legitimacy, mixing Pearce’s folk and feedback inclinations more fully than much of the FSA work that soon followed. Those records tend to go for either gentler, voice- and acoustic-based space-balladry or neglect the prominent rhythm section heard here (check out the lumbering bass on “Standing Stone”) for high-volume, ambient distorto-float. The handy, world-ruling Distance CD compiles this and other early singles for those who can’t be bothered to hunt down the band’s many limited 7” releases.
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